| Description | Neset talks about the choice and meaning of the Her Noise title, her reflections on
women's involvement in the experimental music scene, her experiences at The Wire,
where women are predominantly perceived as administrators and/or press officers. Neset
outlines a strategy that consists in searching for new, less obvious artists as a way to
further facilitate networks. She discusses the exhibition at the South London Gallery as
engaging with willful, messy and unfinished aesthetics as non-linear and decentered
forming inroads into open-ended, non-hierarchical energy.
Neset continues to discuss questions of feminist theory, Sadie Plant, bodies without
organs, her desire not to define the exhibition, but stresses the need for an awareness of
critical theory, and the desire to make/do rather than theorise. (Edited & Transferred to
DVD by H.Ingleton). Interviewed by Irene Revell. |